As I’ve previously reported, I’m in talks with a cover artist for not only Faerie Blood, but also Bone Walker and the still as of yet unnamed Book 3. But as of this week, I’m also in possession of an editing agreement I’m about to square away!

Which means that once I hand off Lament of the Dove to Carina’s submissions queue, the big plan for March is going to be finishing Bone Walker. Then I shall hand it off to be edited in the latter half of April, with a target of having it back to me by early May.

And! I’ve pinged Third Place for an appointment to discuss printing of Faerie Blood with them. Dara (who will be firing up her considerable layout experience to do the layout for the print edition) and I will be going to talk to them about that soon!

Which all means, O Internet, that April is beginning to look very, very good for a target timeframe for the Bone Walker Kickstarter. As soon as I have all the numbers for projected costs to bring unto you the second edition of Faerie Blood as well as Bone Walker, I am going to officially get this show on the road.

Getting excited about this, and I hope you guys will join me for the fun!

tiggymalvern

We’re at the stage of Kiri doing some preliminary sketches, and when she has some to share with me, I’ll see about posting one so y’all can get an idea of what the future cover for Faerie Blood is going to look like. Stand by for the shiny, all!

First and foremost, I’ve been doing a bit of judicious Googling and also asking around to get a sense of whether I should use one of the services available to deploy a new version of Faerie Blood out into the wild, or whether I can save myself some money and just do it myself. The answer to this question appears to be the latter. I had a lovely little email exchange with romance novelist Courtney Milan, who kindly advised me on how she got her recent self-pubbed Unraveled out: i.e., she deployed directly to Amazon, B&N, and Apple herself, and used Smashwords to hit a couple other services like Kobo and Sony. Moving forward, I’m going to be looking with more depth into how to do these things.

Secondly, I also asked Ms. Milan if she had preferred software for creating her ebook editions. She pointed me at this excellent guide by Guido Henkel about how to do ebook formatting, with a focus on epub and mobi versions. Boil it down to its essentials, and what you get is “do a bit of tweaking to your original manuscript file, throw in some HTML and CSS, and then fling it through Calibre”. As y’all know, I’m a professional techie. HTML and CSS? Not a problem. So yeah, I can totally do this formatting myself.

(Mad, mad props both to Ms. Milan and to Mr. Henkel, by the way. If you’re a romance reader you should totally go read Ms. Milan’s Turner series, the first two books of which I have reviewed here and here! And if you’re not already familiar with the ebook creation process and you want to be, you should go read Mr. Henkel’s guide and thank him for his work!)

Third, in commencing the tweaking of Faerie Blood‘s previously released RTF file, I’m finding some things that need tweaking. After several hard rounds of editing on Lament of the Dove, my older tendency towards ellipses, which is still present in Faerie Blood, is standing out hard. So I’m going to clean those up.

Also, since this book was originally written in 2003, its ‘present day’ setting is in fact 2003, and that now reads a bit weird to 2012 eyes–especially in regards to things like my mentions of older-style cell phones and passing references to pay phones as well. I’m going to tweak these things a bit since it won’t impact the story any, just incidental details to give a better ‘present day’ feel to any new readers who may pick me up. I am aware that this will require me to adjust my perceptions on ages and timing of certain things that took place before this novel; that’s okay. None of those things are actually in released work yet, so they’re still flexible!

And! I was sad to have realized that the first edition of Faerie Blood didn’t have a proper dedication or a proper acknowledgements section. I will be correcting both of these problems, along with an Author’s Note that will mention the changes I’m describing here.

Fourth, I will definitely be pursuing working with Third Place Books (and possibly also the University Bookstore) to engage their espresso book machine to generate any print copies of Faerie Blood–about which I am more excited now that I’ve learned that these machines are not restricted to trade paperback size. So step one here is going to be to get solarbird to do a proper print layout for a PDF version, and step two will be arranging to hand that off to be printed.

Fifth, I am investigating a particular artist recommended to me by tiggymalvern, and have had a hopeful initial email exchange with her, including sending her a review copy of Faerie Blood‘s Drollerie edition to see if she wants to commit to doing new cover art for me. More on this as it happens!

Last but not least, please note that all of these plans do not preclude proceeding with a Kickstarter for Bone Walker! Before I move forward with that, though, I’d really like to nail down a cover artist, since it will be important to me to have professional-looking art that can give all three books of this projected trilogy a unifying style. More on this as it happens, too!

First and foremost–still trying to find out whether the cover artist I’m looking at can do a commission for me for art for Faerie Blood and Bone Walker both. In the event that that doesn’t work out, though, does anyone out there have recommendations for artists you like that might suit? I would prefer people who do drawn or painted art vs. photo manipulation, but I’m willing to consider people with decent photo manipulation skills as well.

Link me up with your recs, people! Bonus points if the people in question have previous experience doing cover art and a prior history of commissions.

Secondly–I’m still planning the Kickstarter idea but I am also strongly considering BookBaby. BookBaby is a sister brand to CD Baby, and from what I’m seeing, they could potentially provide not only the ability to deploy ebooks to all the major ebook vendor sites, but ALSO printed copies. Most importantly, they claim they give 100 percent of sales back to the author. Now, since these are the same people that do CD Baby and I know of several musicians (including my very own beloved spouse) who are happy with that, I’m inclined to look on BookBaby favorably. But does anyone out there have any direct experience with using them, or know people who do? Let me know!

Right now my highest priority is finishing the last round of edits on Lament of the Dove so that I can fling that back at Carina Press, finally. I’m hoping to get that done by February 25th so that I can have it off my queue before Dara and I run off to Canada for a grand four-day weekend of awesomeness! After that, my next priority will be spending as much of March as possible finishing Bone Walker so that I can then get it edited.

More as I know it!

One, holy crap, a complete stranger actually read my book and wrote in to say she liked it EEE!. This does not happen to me very often at all, people. Faerie Blood hasn’t sold more than a few hundred copies to the best of my knowledge, and believe me, I’m still totally double-taking at the thought that people I don’t actually know have actually read it!

But with that in mind, O Internets, I urge you: if you loved a book, take the time to write in and let the author know. It doesn’t have to be effusive or detailed. It can just be ‘I really enjoyed your book, thank you so much!’ Even hearing that much is music to an author’s ears. We’re putting our darlings out there in the hope that somebody will in fact read ‘em, so any proof that they’re getting read? Gold.

And two, holy crap this complete stranger wants to read more of my work! Sure, it’s work that hasn’t actually been published yet, but in some ways that’s even more awesome. That’s taking an active interest.

So I’ve flung back a Facebook note to the person in question, and we will see where this goes. In the meantime, public mad props to Ghislaine for taking the time to write in!

All the rest of you? If you loved an author’s work, thank them. And if you’re an author, I’m sure I don’t need to tell you that your readers are made entirely of awesome. Or that your beta readers kick up the awesome another order of magnitude entirely. Hug your beta readers today!

Final word count on this draft is roughly 110K, which puts me within the range I was asked for in Carina’s R&R. Quite a bit of old content has been taken out. Quite a bit of new content has been put in. And now I am going to step away from this book for a few weeks, before I come back for one last read-through to make sure nothing else is in desperate need of fixing before I re-query it back to Carina Press.

This, O Internets, is where you come in. Several of you out there have expressed previous interest in beta reading for me. If you’re still interested, and you think you’ll be able to read through Lament for me in the next couple of weeks, I need to hear from you ASAP.

What I need is going to be extremely simple. I do not at this point need in-depth proofreading or copyedits, although as always, any obvious errors should be brought to my attention. Mostly I need people to read through it like any other book, sanity-check it, and tell me if it hangs together cohesively. If you’ve read previous drafts of Lament and you’re up for taking another stab at it, you’re more than welcome. If you haven’t read a previous draft and you want to, that’s also awesome.

Either way, contact me if you want in. I will fling you a copy of the manuscript in the file format of your choice. My usual gmail addresses are acceptable contact methods, as are DMs on Twitter or PMs on Facebook. Hell, if you can reach me with smoke signals or carrier pigeons, go for it! Just talk to me!

And talk to me soon. I would like if at all possible to re-submit the book to Carina before I go to Canada at the beginning of March, to get it done and dealt with. Thanks all, as always, for your support!

Goodreads Data Alert

If you click on the Learn More button a new page pops up talking about Goodread’s reasons for doing this, and displaying a form where you can fill in data from other sources to make sure that the book doesn’t vanish out of their database.

AUTHORS: Go check your books on Goodreads and make sure you’re not about to lose your only entry in their database. ESPECIALLY if your only listed edition is a Kindle Edition.

GOODREADS USERS: Check your bookshelves and see if you’re about to lose any Kindle Editions out of your various shelves. You do NOT need librarian access to rescue a book–anybody can fill in the form, apparently. But you should rescue any obvious Kindle Editions in your lists. All you need is a legitimate source of data about the book, from somewhere other than Amazon.

I’ve also removed a few of the sidebar widgets. The Links/Blogroll widget has been turned into an actual Links page, since I had enough links that I thought they might as well have their own page. I’ve also created menu items for my Facebook and Twitter accounts under the “Contact” menu to give those higher visibility, and I’ve provided a link off to my annathepiper.org blog for those of you who might care to follow that. (I’m a lot more prolific on that blog than I am on this one, which remains writing-related!)

Meanwhile, I’ve updated the FAQ, Faerie Blood, and Defiance pages to reflect the status of my former Drollerie works. Since I’ve seen a few folks on Goodreads have continued to add me to their To Read lists (hi, Goodreads folks!), I just thought I’d issue a reminder: Faerie Blood and Defiance are to my knowledge no longer for sale with any ebook vendor. (If they are, and you can point me at a link, let me know! Drollerie needs to take any further instances of the book down if they’re out there.)

But if you haven’t read the book or the short story and you want to, I’ll be happy to hand-sell a copy to you. For Faerie Blood, I’m asking five dollars for an EPUB or PDF copy (and I’ll convert it to other formats on request). For “The Blood of the Land”, I’m asking 99 cents. The best way to pay me for either will be via Paypal to my gmail address, annathepiper. If you’d like to discuss alternate payment arrangements, drop me an email to the same gmail address, or visit my Contact page.

These prices will stand until my plans to self-publish Faerie Blood and Bone Walker go through, as per my previous Kickstarter post. Anyone who’d like to go ahead and buy Faerie Blood now will receive the Drollerie release copy, though I will also provide updated copies to known purchasers of the book once the self-pubbed version is ready.

Note also that I am pursuing self-pubbing “The Blood of the Land” with new cover art and layout; what you’ll get now if you want to go ahead and buy it is my manuscript copy. Again, though, if you buy the story now, I will keep track of you and provide you a free copy of the self-pubbed copy later!

As always, thanks for your support, folks. Y’all on Goodreads, hope you’ll like my book!

• New theme! Woo!
• Standalone pages now have comments disabled and hidden.
• My Contact page has been updated to include my Google+ and Tumblr info.
• The page for Defiance has had it now-defunct buy links removed since the book is no longer available for sale.
• I have added the capability to crosspost from WordPress out to Tumblr, now that I have an account there.

And, although I haven’t actually started this yet, be on the lookout for a rework of my How to Read Ebooks set of posts. Since we’ve had some changes in the ebook and ereader realm over the last several months (notably, the releases of the Kindle Fire and Nook Tablet, and the ability to check out library books on the Kindle), an update of that information is definitely called for. So watch this space for more data on that!

If you’re an Ilona Andrews fan, that particular writing team has a novella called Magic Gifts set in the Kate Daniels universe. It’s only available for a short period of time and you can only grab it off their website, so if you want it, scamper over here and yoink it down! And thank them for sharing it with their readers.

Meanwhile, I’m aware of two freebies currently available for the Kindle, and the first of these is The Devil of Kilmartin by Lauren Wittig, a historical romance. This one’s only available for free until tomorrow. So if you like your romance historical and you like your heroines gifted with healing magic (I’m a sucker for healers myself), you might grab this. But grab it fast.

Last but not least, Martha Wells, who is marthawells on both LJ and Dreamwidth, has The Cloud Roads available for free for the time being on the Kindle. I don’t know how much longer this’ll be the case, so you might grab this one if you like fantasy. Book 2 of the series, The Serpent Sea, is about to come out.